Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders… George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Cut to five years previous, in a prequel to the whole series. The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). Not that there aren’t pranks and envelope-pushing quips aplenty. Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment. At times the action becomes more burden than forward momentum, but on the whole, this is a worthy follow-up, with a triumphant end attempting to answer the eternal quandary of safety versus freedom. Heidicker’s writing continues to shine, his poetic language depicting scenarios that will be too much for sensitive readers but will more than satisfy those with a taste for gore and tragedy. When Oleo escapes, he meets a family of orphaned, urban foxes whom he enlists in a quest to save his captured kin.
Oleo, né O-370, is a fox with all the wildness bred out of him, and he and his family live in the relative safety of wire cages, heated by lamps, until they are turned into fox-fur coats.
Readers don’t have to be familiar with the first volume to catch the thread of this sequel, and while there are some carry-over references (the yellow stench of rabies, a propagandized version of Beatrix Potter’s appearance), the terrors here are new and mostly a product of civilization. Three young foxes come across an injured cousin, who spins them tales of fresh horror.
The travails of Mia and Uly in Heidicker’s Newbery Honor novel, Scary Stories for Young Foxes (2019), have become cautionary, inspirational folklore for a new vulpine generation.
0 kommentar(er)
